When did you first realize you wanted to be a writer and what does it mean to you to be a black writer in this society?
I dabbled in writing for a long time, since I was in the fifth grade. I didn’t decide to get serious about it until I turned 45. I feel it’s very important for us to have a voice in all aspects of this society. We have to tell our own stories in order for there to be some semblance of truth in this society, culture and world.
Do you write full time, or do you have another full-time job? What is your educational background?
I write part-time. My full time job is as a technical director for a small chemical  company. I have a Bachelors in Chemistry.
How do you best meet the challenge of juggling your day job (if applicable) and/or your family, against your writing career?
I block off at least one hour a day for writing and another hour for editing and other writing related work. My children are grown and gone, so I have a good amount of time to spend with the art. And I make sure I give my wife priority when it comes to my schedule and events.
What genre(s) do you write in, is there a favorite and which do you feel have had the most important impact on the black community? Traditionally, in mainstream media, blacks have been vastly marginalized in Speculative Fiction and fiction in general, how do you see that changing and what impact will your work have on making those changes?
I write in a variety of genres; sword and soul, Steamfunk, Cyberfunk and space opera. Of all of them, Sword and Soul is my favorite. I think they all have an effect, but I feel science fiction has the most impact on black readers because it puts us in the future under our own terms. As far as the mainstream, times are changing. Readers are demanding diversity, and the powers that be must conform.
Who are some of the major writing influences who most inspired you?
My biggest writing influences are Charles R. Saunders, James Baldwin, Frank Herbert and Phillip Jose Farmer.
Do you listen to music when you’re creating? If so, what type?
Music is an essential part of my writing. I listen to jazz mostly, but I’ll throw a little reggae in every now and then.
How long does it usually take you to complete work on a book?
It usually takes me about three months to finish a book.
What does your writing schedule look like and how many hours a day do you write?
I write probably an hour a day, two hours on weekends. I write in the morning; that’s when I’m the most creative and focused.
What would you say is your interesting writing quirk?
I hate outlines.
How many books have you written?
I’ve written 21 books.
As a black author, do you feel a personal responsibility to the black community to create content which not only entertains, but also uplifts and educates?
Yes and No. I write for myself first and foremost. However, I do make sure that what I write is of the highest quality I can produce. I do want my books to leave people with a positive sense of self, and I want them to be a temporary escape from this world.
What type of research do you conduct and how long do you spend researching before beginning a book?
The level of research depends on the subject matter. I’ve done extensive research into African/African Diaspora history in order to write Sword and Soul and Steamfunk. The time I spend researching for a particular book will vary based on the subject matter.
What are some of the best resources you’ve found for research?
The internet is your friend. I also have an extensive history book collection I’ve built over the years that is very helpful.
How important is it that black creators work together to encourage, empower and educate the black community through their work?
I think its vitally important that Black creators work together. We operate under this notion that there’s only so much our there for us, and even less for Black creators. I don’t believe that. I think there’s plenty for all of us, especially if we work together. We might not get rich, but we can be comfortable and provide the content our people want and need.
What does literary success look like to you?
Literary success to me is two-fold. I want readers to like my work, and I want to be able to pay my bills. Awards and all the other stuff isn’t significant to me. If it happens I’ll happily accept it, but it’s not something I crave.
What legacy do you want your work to represent and resonate in the black community and the world?
I’m not concerned about a legacy. If anyone says anything about my work, I hope it’s that they enjoyed it and that it made them happy.
What are some of the upcoming projects you’re working on?
I’m currently working on the sequel to Amber and The Hidden City, Amber and the Enchanted Sword. I also plan on completing my From Here To Timbuktu series, as well as a few anthologies.
How can the readers learn more about your work and follow your career?
You can find me at and You can also find me on instagram as @obadoro and Facebook as Milton Davis.

Author biography:

I’m a Black Speculative fiction writer and owner of MVmedia, LLC, a small publishing company specializing in Science Fiction, Fantasy and Sword and Soul. MVmedia’s mission is to provide speculative fiction books that represent people of color in a positive manner. I’ve written seventeen novels; my most recent is the Sword and Soul adventure Son of Mfumu. I’m the editor and co-editor of seven anthologies; The City, Dark Universe with Gene Peterson; Griots: A Sword and Soul Anthology and Griot: Sisters of the Spear, with Charles R. Saunders; The Ki Khanga Anthology, the Steamfunk! Anthology, and the Dieselfunk anthology with Balogun Ojetade. MVmedia has also published Once Upon A Time in Afrika by Balogun Ojetade and Abegoni: First Calling and Nyumbani Tales by Sword and Soul creator and icon Charles R. Saunders. My work has also been featured in Black Power: The Superhero Anthology; Skelos 2: The Journal of Weird Fiction and Dark Fantasy Volume 2, Steampunk Writes Around the World published by Luna Press and Bass Reeves Frontier Marshal Volume Two.



1014308_10151651562099253_183144284_nBalogun is the author of the bestselling Afrikan Martial Arts: Discovering the Warrior Within and screenwriter / producer / director of the films, A Single Link and Rite of Passage: Initiation.

He is one of the leading authorities on Steamfunk – a philosophy or style of writing that combines the African and / or African American culture and approach to life with that of the steampunk philosophy and / or steampunk fiction – and writes about it, the craft of writing, Sword & Soul and Steampunk in general, at

He is author of three novels – the Steamfunk bestseller, MOSES: The Chronicles of Harriet Tubman (Books 1 & 2); the science fiction gangster saga, Redeemer; and the Sword & Soul epic, Once Upon A Time In Afrika and contributing co-editor of two anthologies: Ki: Khanga: The Anthology and Steamfunk. He is also co-creator of the soon-to-be-released role-playing game, Ki-Khanga™: The Sword & Soul RPG.









Once Upon A Time In Afrika



























Balogun can be found on Facebook at and on Twitter at








Milton Davis works as a full time chemist and a part time writer. He is finally fulfilling my dream of writing by self publishing his novels and stories. His publishing company is MVmedia Publishing and Beyond.





Some of his titles include:

  • Meji: Vol 1 & 2
  • Changa’s Safari:  Vol 1 & 2

Anthologies he’s published and had work appear in:

  • Griots: A Sword & Soul Anthology
  • The Steamfunk Anthology


GriotsWoman of the WoodsSteamfunk











To learn about other titles and purchase copies of his work(s) visit the company website @:

Check out his blog Wagadu @:





BLACK SPECULATIVE FICTION WRITERS     In the spirit of celebrating Black History Month, I’m dedicating my weekly blog posts to honor the accomplishments of black writers with a look into their work and contributions to the writing profession. I will be tasking myself with reading the work of one black author per week and reviewing their work as a blog post. These posts are meant to be educational, insightful and inspiring. In addition, I will be writing a post exploring blacks in a particular genre. The first post in the series will focus on the history of black writers in speculative fiction!

Within the various genres of speculative fiction, blacks are an even larger group of minorities than they are as a whole within society. And while the collective of black speculative writers is small, I believe that their voices are huge and resonate within the black fan community as a growing demographic.

Of black speculative fiction writers, some of the most popular to come to mind are Octavia Butler, Steven Barnes, Tananarive Due and Charles R. Saunders. However, the roots of blacks in speculative fiction go back much farther than them.

One of the foremost U.S. black political leaders of his time was Martin Delany (1812 – 1885). In 1859, Mr. Delany published Blake, or the Huts of America as a serial in the Anglo-American Magazine. The novel dealt with an alternate history where a successful slave revolt in the Southern states led to the founding of a black country in Cuba. Unfortunately, the novel remained unfinished. Noted black speculative fiction writer, Samuel R. Delany (no relation), has described it as being about as close to a Science Fiction style alternate history novel as you can get.

Another noted early black speculative fiction writer was Charles W. Chesnutt. He wrote folkloric Hoodoo stories and published a collection called The Conjure Woman in 1899, which is the first known speculative fiction collection written by a person of color.

Most people don’t associate W.E.B. Dubois with speculative fiction however, he wrote several science fiction short stories including, The Comet which depicted a world where the only survivors of an apocalyptic event were a black man and a white woman. This marks the first post-apocalyptic fiction work where an African American appears as the subject.

By the 1920’s, African writers began publishing works of speculative fiction, which because of the social climate of the time, received very little if any attention.

In 1920, Thomas Mofolo (1876 – 1948) of South Africa published his novel, Chaka which was written in Sotho. The novel presented a magical realist account of the life of Shaka the Zulu king.

Another African novelist, Jean-Louis Njemba Medou wrote Nnanga Kon, a 1932 novel which covered the first contact between white colonialists and the Bulu people. In Cameroon, where Medou hails from, the novel became so popular it is the basis of local folklore.

In 1945, Makonnen Edalkaccaw, an Ethiopian writer, penned the story of Yayne Ababa in Amharic. It is noted as an early work of Muslim science fiction and depicts the adventures of a teenage Amahara girl who was sold into slavery.

In the years that followed, have been graced with a growth in the number of blacks writing stories and novels in speculative fiction which includes: Charles R. Saunders, Steven Barnes, Tananarive Due, Octavia Butler, Maurice Broaddus, Nisi Shawl, Brandon Massey, Zaji, Milton Davis, L.A. Banks, Balogun Ojetade, Chesya Burke, Wrath James White, Valjeanne Jeffers, N.K. Jemisin, Talitha McEachin, Paul West, Alicia McCalla, Thaddeus Atreides, Brandon Easton, Xavier Moore, Seressia Glass, Hannibal Tabu , Sheree Thomas, Nalo Hopkinson and Nnedi Okorafor to name but a few.

Despite what’s displayed on the bookshelves of large chain bookstores, there are plenty new and emerging black speculative fiction writers who are making their mark and raising the various genres to another level. I encourage fans of speculative fiction, beginning with the readers of this blog to support these writers and help to give the genres a shot in the arm and to be representative of various cultures and subcultures throughout the US and the world. Modern black speculative fiction writers now cover a wide range of genres including: Science Fiction, Steampunk, Fantasy, Urban Fantasy and Horror however, two emerging sub-genres to appear have been Sword & Soul and Steamfunk which predominately feature characters of color.

I challenge my readers to put aside a couple of hours each week and pick up a book written by a black author during Black History Month. I encourage you to start by checking out the works of the above mentioned authors, as you’d be broadening your horizons and expanding your minds, which are two components of reading I find most admirable. Trust me; you’ll be glad you did!

FRIDAY’S BLOG POST: A review of Zaji’s novel, “When We Were One.”